![]() The characters populating found footage can often be repellent their most uncomfortably human traits are unfiltered, as well as magnified by the camera being shoved in their faces. After the previous movies did such a fantastic job of obscuring and empowering the zombies, this parallel story forces them out into the open. Showing the threat in plain view, not to mention taking the time to slaughter them in a handful of gruesome and detailed set pieces, is refreshing. There is no real need to shroud the zombies in mystique anymore. At the same time, Plaza provides a more graphic and straightforward presentation. There’s no bated breath as characters wander in the dark, pondering what might await them. When compared to the first and second movies, REC 3 is nowhere as intense. ![]() This affords the story a bigger playground, but it’s at the expense of effectual tension. You’re no longer in one person’s shoes the movie cuts back and forth between parties as they struggle to find each other. The same sense of urgency is still in place, though the immediacy is gone. This sequel’s style is on the other end of the spectrum it’s cinematic and slick. REC and REC 2 were definitely styled, but in a way that felt lifelike and instant. The cinéma vérité technique is abandoned for something more rehearsed and polished. This whole scene is a tremendous way to say “no more found footage.”Īs to be expected, everything from here on out feels and looks considerably different. Of course it’s at this precise juncture when the movie’s title appears on screen, signaling the start of the “real” REC 3. This interaction reads like frustration on the director’s part it’s as if Plaza is using Koldo to express his own conflicted feelings. He even delivered the hackneyed line so many characters before him have said or thought to justify filming in these kinds of situations: “People have a right to know what’s going on! I have to film everything!” In a fit of rage, the groom then destroys Atún’s camera. B ), had planned to record the sudden zombie chaos. The resident wedding videographer, Atún ( Sr. How Plaza repeals the first-person technique is aggressive. After a brief waiting period, you bear witness to one of the most disastrous weddings in horror. This “calm before the storm” period doesn’t last too long, seeing as one guest’s foreboding injury, a work-related dog bite, brings on the outbreak and mayhem you were promised. The insignificant encounters and conversations among the wedding party, the informal video interviews, and the ceremony itself - it’s all part of a familiar routine. ![]() The short tedium seen before that point helps to establish an air of realism, as well as offset the eventual chaos. REC 3 is shot like a first-person movie up until the twenty-minute mark. The ceremony is initially picturesque and free of problems, but everything changes at the afterparty. Here a young couple, Clara and Koldo ( Leticia Dolera, Diego Martín ), is getting married inside a luxurious estate. The latter group undoubtedly takes issue with what happens after the first act, but before that decisive transition, Genesis is more in line with the first two movies. Some people found the new direction to their liking, whereas others were disappointed. When asked about the new changes of REC 3: Genesis, Plaza said he and Balagueró “wanted to get some fresh air.” However, their decision didn’t sit well with everyone. ![]() While it would seem like Balagueró got the better end of the deal - his sequel REC 4: Apocalypse ties directly into Ángela Vidal’s story - Plaza was handed a golden opportunity to do something outside the main plot. So the duo split up for the remaining two movies in the zombie series, with Plaza taking on the third installment. After the events of REC 2, it made sense for Jaume Balagueró and Paco Plaza to explore the world they had created. The original sets things into motion with staggering execution and results, and the follow-up expands on the lore. While other horror franchises can be accused of rehashing themselves with each new entry, every part of the REC series feels like a different movie. ![]()
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